By Crystal Taylor
Acting is a craft we never master,
yet we mask ourselves, masquerade
with arms fatigued, holding glittered feathers
glued to plastic over our cheeks.
We zip screens over desks
where our heads work and swim,
wheel them both into meetings on a wagon,
always scanning, miming others.
Screens split, at first an inch.
Our methods slip through like flies.
Each one, a stimming quirk:
a bulky body bouncing off a ballast,
its shadow backlit by fluorescence.
Like that, the masquerade ends,
our mask spills a slow spin down,
eludes our clutch.
There.
Bare faced.
The glitter flickers freckles, brighter than any ball.